The Panasonic DC-G100 and the SIRUI 35mm anamorphic lens are a perfect duo for exploring anamorphic workflow. Hopefully, we can see something EVEN wider soon… Conclusion I really appreciate the wider field of view with this lens when compared to the 50mm especially when working with a Micro Four Third camera. The picture quality is very nice for the price and general operation is very easy. It is compact, lightweight (certainly for anamorphic lenses), built well, and very affordable. I can summarise by saying that this M4/3 frame lens is really a joy to work with. Panasonic G100 and SIRUI 35mm Anamorphic. Overall “feeling” when working with the lens is very positive and although I was not trying to “hunt for bokeh”, whenever I had some light in the background, it had a pleasant touch.
The maximum open aperture is f1.8 (Great for lowlight filming). In a way, it makes the lens optically “less perfect” with the bonus of having a greater “organic look”. Looking at my computer screen, it feels as if the new 35mm anamorphic lens is a bit less sharp, but it is a good thing. At times, the lens felt “too sharp”, resulting in somehow lack of identity. One of my concerns with the older 50mm anamorphic lens was its sharpness. When it comes to sharpness and picture quality, I did not have a chance to confront the lens with a resolution chart, but the images coming out of it are truly lovely. Focus breathing is well maintained although it is absolutely present. When it comes to built quality, the lens feels extremely robust and from the operational side, the inner focus gears are very smooth. SIRUI 35mm anamorphic lens on the Panasonic G100 – Image credit: CineD SIRUI 35mm Anamorphic lens – Quality Product
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